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Playing the Macro Violin

februar 25th, 2009  |  Published in Theory U  |  6 Comments

From Claus Otto Scharmer’s Theory U:

 

Playing the Macro Violin

 

Performing means to operate from a larger field that emerges from our deep connection with the audience and the place around us. The violinist Miha Pogacnik described this type of peak performance experience as “playing the macro violin”.

 

“When I gave my first concert in Chartres,” he remembers, “I felt that the cathedral almost kicked me out. ‘Get out with you!’ she said. For I was young and I tried to perform as I always did: by just playing my violin. But then I realized that in Chartres you actually cannot play the small violin, but you have to play the macro violin. The small violin is the instrument that is in your hands. The macro violin is the whole cathedral that surrounds you. The cathedral of Chartres is built entirely according to musical principles. Playing the macro violin requires you to listen and play from another place, from the periphery. You have to move your listening and playing from within to beyond yourself.”

 

The question we are left with, in more mundane settings…is how to discover and to connect with this type of “macro violin”.

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  1. Антон Павлович says:

    marts 24th, 2010 at 5:37 am (#)

    По моему мнению Вы не правы. Предлагаю это обсудить. Пишите мне в PM, поговорим….

     
    Playing the Macro Violin
     
    Performing means to operate from a larger field that emerges from our deep connection with the audience and the place around us…..

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  3. Kylie Batt says:

    april 20th, 2010 at 8:00 pm (#)

    Я считаю, что Вы не правы. Могу отстоять свою позицию. Пишите мне в PM….

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